To follow is a condensed version of my own notes and theories,
collected from memory, later research, and all the journals I have burned.
Much came to light since I've last mused on the topics such as the nature of the Weave,
the source of Shroud and many others connected.
Do gods exist? Does Fate, or Luck?
What is the middle point between a weave made maniftest
as an effect, or an object, or clinging on as interaction with such
(in levitating, maintaining sight and access beyond, keeping determined barriers waterproof, etc. etc. etm.)-
and the pure, yet imperceptible and faceless, source of miracles itself?
I think I may have touched it, that state between, in my own tribulations.
Not only once during my becoming, but twice - on foolish heart's notion.
Then, after my return,
I have congregated all of the texts that I could find from grandfather's study.
May have been exhaustion turning my mind, may have seen the Mother, herself.
But I digress.
ππ©π¬π°π°ππ―πΆ
β’ First, we have the
Material world, which includes all objects, entities, weaves and effects that can be witnessed to exist in our reality, be it in the realm of spirits or otherwise, anchored and knowable - if not immutable. It includes everything that did, does and will exist, regardless of its origin or iteration.
β’ Second, we have
the Shroud as I will hence define it - a transparent energy, imperceptible to most and present in most things just as well.
It is in the blood and flesh of every living thing, plant, the wind that carries dust, it sometimes condenses into ley lines which affect the world around them - just the same as the Shroud-devoid areas are bound to wither and crumble. Shroud, however, is not something as trivial as 'life force', however attached it is to the concept, since it can be woven in patterns that have nothing to do with life, death, or the natural.
As such, Shroud refers, in this text, to the power pre-manifestation in the Material.
β’ Third, we have
the Aspects - likewise as in alchemy, they are not only direct meanings and manifestations (a rock may, most sturdily so, carry an aspect of 'a rock'), but also the meanings that are imbued by what their attributed thing is or does. Aspects are required for the Shroud to manifest stably in the Material.
Example: A direct Aspect would be, as mentioned, a rock which represents 'a rock'.
It would be the strongest in being rooted to the Material, but the most limited expression of the Aspect.
A lot of primitive cultures, occultists and folk-learned weavers engage with direct Aspects as a source of stability for their Weave.
An indirect Aspect would be a rock which represents 'sturdiness' or 'strength' - the nature of the Aspects is such that, translated to one of many languages across Khurun, they may never be suited to a particular word.
Such an aspect would be less rooted and stable, however, provide much more variety of potential use.
Most of aspiring artificers perfect their use of indirect Aspects, for the creation of layered enchantments - for example, layered inscriptions infused with the Weave to adopt a particular order of the Aspects; else, gems with one weave inlaid into the base with a different weave.
But so do the occultists - ask any who don't throw cut fingernails into the water, or take care to burn cut hair, as those can be particularly powerful indirect proxies to target a specific person.
That said, with enough will or use, words themselves can also be Aspects - such as someone's given name, or a name ascribed to a quality.
If your name carries enough weight, or is on numerous lips - don't give it to strangers. Especially so, not yourself. Titles and aliases help, so I've heard.
Aspect Cascade - is an event where two Aspects interact with one another to produce a third effect not native to either, or several aspects produce a consequently altering effect (usually in Weaves intended to deviate in releasable power, or to escalate in complexity).
β’ Fourth, we have
the Weave - unlike some scholars may assume, it is not simply knitting the Shroud together into a particular ornament.
The Weaving itself, be it in the spirit of occult pursuit or arcanocraft - poetry or mathematics - pulls the Shroud into the Material (*channeling), and in order for it to stay manifested needs to imbue it with one or more Aspects via the force of their will.
A stable Weave will produce an object, entity or effect as predicted.
Stable woven control over fire with aspects of 'flame', 'guide' and specifically shaped, outlined, or willed pathway - will result in fire travelling in that trajectory, regardless of whether it's intended as a blast or a continuous stream, that would depend on a specific weave structure.
Unstable woven control over fire with aspects of 'flame', 'guide' and a pathway - may result in the pathway deviating, may result in the Aspect of 'flame' being empowered with Shroud above what the Material can contain and growing out of control (e.g. explosion), and the specifics of volatility expression depend on mistakes made.
Ascher's Self-Voiding Law - is a tendency of volatile Weave to continue unravelling until all Aspects are no longer contained and all the manifested Shroud has dissipated in the environment. The formulas to calculate compound volatility can be found in the attachment. The maximum is always 3 (III, three). It is particularly important to remember when attaching Weave to physical objects or inscriptions.
β’ Lastly, we have
the First Things - which represent a metaphysical 'middle space' between the pure Shroud and pure Material, and a congregation of Aspects in the largest, most general sense.
ππ« π±π₯π’ ππ¦π―π°π± ππ₯π¦π«π€π°
Of what I could gather from the worth of folklore in my travels,
the sum total of my ancestor's writings, and my own past theories and aspirations -
- as well as a particular encounter -
the comprehended knowledge may sound cryptic, or resemble, perhaps, a fable.
I theorize, that at the beginning of time there have only been Darkness and Ocean.
Once again, consider them as abstract, metaphysical objects, the direct representation of which is only the simplest way to view or address them.
Night, or the First Darkness - the ultimate vacuity that contains everything, and permeates everything.
It is the ultimate stability, stagnancy, immovability - and states of comprehension in unknown.
It is the beginning, and the end - but only the beginning and the end, merged into one. It is the point where a cycle revolves.
Not only death, but what is before life. Not only forgetting things, for good or ill - but limits to perception so sanity may be retained.
Not only the grace of hiding from a predator, but being hidden from one as well.
By itself, it does not exist when perceived. It needs bodies to outline or to obscure in shadow.
It needs the flame (enlightenment) to reveal the true shape of things.
It is averse to breaking of the established order, to objects without shadows, to cycles without end.
But also, it embraces longevity, stability - at least, until the illuminated things are enshrouded once more.
It can be considered 'Order', after a fashion, not order as a virtue, but as a constancy of state.
And it is that which connects the Shroud to the Material.
That which ensures stability once the Weave has been created.
Ocean, or the First Boundless - is the ultimate array of potentials for all things, and all of their states, everywhere, at all times, in all the combinations.
The ultimate disarray that rejects any longevity, that recombines, changes, transmutes, and cannot stay the same - and yet, produces novelty.
It is the middle of the cycle - every middle, of every cycle, always and never.
It is also every point of change, predictable and not.
Not only water, but cloud and rain and burning steam. Not only health but rot and sickness too. Not only generation but mutations.
By itself, it is inscrutable when perceived - even the strongest, most potent mind needs limits to its perception to remain whole.
It is the volatility, the good and bad change, the flow of pure emotion, the spontaneity that never ceases, births and destroys itself endlessly.
It is the spark of passion, and what is echoed in both the stream of consciousness and the creative process.
It is that which allows to change the faceless Shroud and bind will to the pull, and Shroud to the Aspect.
That which allows the process of creating Weave.
And lastly, we have what emerges from the two, and in between the two,
and as the only thing that we can truly, partially, experience.
Woods, or the Bountiful Earth - is not the potential, but things manifest, stable within their own sets of laws, but mutable.
It is the Earth, the tidal waves, the animals and plants and every Weave and every person's thoughts.
Once there is too much Chaos, the cycle ends, but the nature of the thing changes, and so the new cycle begins.
Our beautiful, horrifying, fleeting imperfect world.