- Character Profile
- Profile
Overwhelming feelings beneath Khurun’s teeth, keep up, stay upon your toes or fall victim to the ever-spinning carousel and its many, many emotions. It seeks to strand you amongst intense sentiments.
Munas kuvak, for all its ruggedness, is like the coming of a holy angel in a moment of deep, dark despair.
The road has been perilous, the free states and their love of anarchy are proven true. If it is not for the sharp inclining of stone outcroppings it is the torches in the night casting shadows against billowing tents, the spurring of horses rushed through tightly growing pines and the silent, eerily dead forest; banditry is as rife as the evergreen needles speckling the rocky floor. They are not there to pillage villages for there does not seem to be any, the treacherous path she walks sees the skeleton of one burnt to its pillars when a hill is crescented but that is all-- the villainous clashes with each other are plotted in tent-holds furnished at the mouth of caves and fought where the maimed losers could never hope to crawl brokenly towards help. No salvation awaited them. Every now and then a body picked clean of clothing and steel appears suddenly from the dense wilds as a reminder that this is a land locked forever in battle, be the scale grand or tiny.
And it is of little wonder why no-one sought to settle upon such bleak territories, for there has been neither river or stream for miles upon the next hundred miles, the necessity of wells was understood by the simplest of men, but firmly affixed to the highly-prized idea of dragging water to the surface was the importance of knowing how to build them-- whatever water rushed beneath the surface was left entirely untapped by the unskilled. No water, no life. It is the reason for the quietness of the trees, animals flourished not when deprived of all but rock and fern. This was all the doing of the mountains afar, their presence encapsulated the beauty of glittering snow upon the jagged rising of ancient crests… and the death so often associated with the cold. Even in summertime those mighty peaks reminded the land at its feet that though their summits possessed limits they were endless below. This would always be a land of stone.
The mining settlement is first spied by the whirling of black smoke heavily dashed by the tenacious winds above, it is a blanket of smog that obscures the lowest peaks like a veil of shadow coming to lie restlessly against them. Finally a path appears after two moons of trudging precariously by way of star or compass or map, the points of interests were all rocks of various unique shapes standing solitarily amidst deep browns and cool greens; Munas kuvak appears on an upward slope that the buildings all oblige with. They rise steadily to meet a mountain-foot baring the great halls of a looming abode, a noble building quite different to the ones below it, from afar it is but another monolith vying for attention against the jaws of the peaks behind it.
The town is grey, grey and more grey. Old buildings look ready to fall in on themselves, she arrives just before the setting of the dying sun and so there are many wandering about the cobblestone of well worn streets, eager to either get home after long hours in the mines or ready to start the night shift, shops selling rocks of all kinds are closing and the street-lighters are up on ladders bringing the warm glow of lantern-light to those whose eyes are not so attuned to the darkness… there are notably not enough lamps for every street. There would be long stretches of darkness in the hours to come, thankful are the creatures who needed those shadows for foul-play. There are blacksmiths everywhere still working keenly at forges, apprentices are taking notes, some are already banging shapes out of metal whose purity could only be found so close to mine-shafts; to which there are many of them, holes upon holes puncturing through the rock up above at the very top of the town, too numerous to count. Wagons of raw material rattle all about, the hissing of cooling steel is constant, the air is thin yet peppery with the smell of burning iron being the primary scent of the wind.
There is something that stands out, however.
Every now and then comes the beige poster marked with the insignia… of a crocodile sitting atop an arrow. Left. Right. Forward. Left. The closer she comes to her destination the more Osytha realizes that this town is very much occupied by the non-human races, and in some of their arms are bundles of brown paper tied together with string. It is all but confirmed when she passes an Orc taking tusks to what appeared to be an entirely raw cut of glistening human thigh without a care in the world, gossiping idly to Dogfolk who have the reds of blood upon their muzzles; they are here, and they have been working. A small feline licking the bone of a lower arm with a raspy tongue, clothes covered in the smearings of coal. A fox smith chewing upon a degloved hand as he hammers the curves of horseshoes. There is no fear here, the stigma of the meat meant nothing to hungry workers desperate to take bone-crunching teeth to anything but the usual soups and bread… so though Munas kuvak is grim in its architecture and extraordinarily dirty, the atmosphere is almost jovial. The woman is even greeted by a loud wolf-whistle as she passes by a bench occupied by Devahni metalsmiths enjoying the end of the day.
Before long she is delivered before a building that is quite unlike the others simply due to the fact it stands alone and is not conjoined to some other business ventures; the bones of a stall were here, said pillars bare the small banners of the crocodile. There are no words upon the pricing board. These were beings who knew little in the way of reading or writing and so everything is done by illustration and words, one board bears the drawing of a dissected human, and another, a deer. The produce is not out upon icy trays like it would have been an hour before, there is someone at the stall but the male appears to be merely making sure no-one runs off with the glistening trays before him… black, forwards facing horns. Black skin. Black blades, the curves of shotels, snug inside silver kissed sheathes… he is not dirty. The man’s clothes are fine despite their lack of colour, and halfly glowing eyes would capture the wayward knight without emotion or speech, content to simply… watch from afar.
The door of the lone establishment is guarded by an orc donned in armor reflecting similar wealth. It is not his clothes that are notable however, nor the oversized scimitar at his large waist. The beings head… was obscured by an executioners hood baring the small sparkle of unreadable eyes watching for trouble to come forth. Dual guards for a very important venture… protecting someone (self-assuredly) important within. A cool breeze briefly carries away the scent of meat and metal and coal. The town works loudly in the background, but in that moment there is a fragile, tentative peace; the feeling that the silence could easily be broken by a single foot trodden in the wrong direction.
